Photos

Click any of the photo thumbnails below to see a larger version of the photo along with the caption.

Director Nicholas White frames up a shot.
1		 DP Tim Naylor talks with his hands.
2		 Gaffer Pete McGill has something to say.
3		 Key Grip Jeff Panessa demonstrates the many uses of a knit cap.
4
Nicholas White directs Nurit Monacelli and tries not to notice that she doesn't have a shirt on.
5		 Nurit Monacelli, Rayme Cornell, and Key Makeup Artist Rebecca Perkins grew close in the make-up room.
6		 DP Tim Naylor, Gaffer Pete McGill, 1st AC Jennifer Johnson, Boom Operator Rob Purvis, 2nd AC John Sims, and 1st AD Paul Epstein set up track.
7		 The camera finds its way onto Tim Naylor's shoulder yet again. Stills Photographer Kamil Dobrowolski makes a rare appearance in the background.
8
Jeremy Peter Johnson and Nurit Monacelli rehearse a firm embrace.
9		 Nurit Monacelli prepares for her scene while the crew finishes lighting.
10		 Nicholas White and Rayme Cornell say "cheese."
11		 Jeremy Peter Johnson caught smiling for the camera.
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Jeremy Peter Johnson stays focused while the crew works out technical difficulties.
13		 Nurit Monacelli does a few dishes since she's standing there anyway.
14		 Key PA Craig Wales looks at something over there.
15		 DP Tim Naylor sleeps it off.
16
Wardrobe Supervisor Morgan Zvanut enjoys our delicious crafty, Loader Randy Schwartz admires the size of her enjoyment.
17		 DP Tim Naylor, Cynthia Barnett (Nurse), Nurit Monacelli (Katie), Boom Operator Rob Purvis and other members of the cast and crew consider a difficult lighting situation with varying degrees of amusement and dismay.
18		 1st AC Marcello Duarte measures the distance from the focal plane to Nurit Monacelli. Set Dresser Allen Doyle looks on in the background, and 1st AD Paul Epstein discusses with DP Tim Naylor.
19		 Location Manager John Fiorelli accepts compliments from 2nd AD Rita Capasa (off) with his trademark alacrity.
20
Richard Ferrone (Doctor) meets the photographer head on.
21		 Director Nicholas White thinks hard.
22		 Katie, portrayed by Nurit Monacelli, calls her husband.
23		 Nurit Monacelli (Katie) is still on the phone while the entire camera crew tries to squeeze into the back of Production Sound Mixer John D'Aquino's car, which he generously contributed to the film.
24
Here you can see just what is lurking behind Nurit Monacelli's shoulder.
25		 Nurit Monacelli (Katie) takes a moment before beginning the scene to focus and get into character.
26		 Nurit Monacelli (Katie) focuses despite the hub-bub of a film being shot around her.
27		 Continuity was threathened by rain on the last day of shooting, but the crew put their lighting equipment to good use and foiled mother nature.
28
Key Makeup Artist Rebecca Perkins makes a last minute adjustment to Nurit Monacelli's eye make-up.
29		 Gaffer Pete McGill begins setting up the lighting outside the restaurant.
30		 Cast and crew prepare to shoot the first shot of the day.
31		 Rayme Cornell and Nurit Monacelli embraces for the cameras.
32
Nurit Monacelli and Rayme Cornell take some really funny directions from Director Nicholas White.
33		 Despite being extremely busy, most people in the crew seem to have nothing to do.
34		 DP Tim Naylor rehearses a shot while 1st AC Jennifer Johnson pulls focus.
35		 Script Supervisor Gloria Picchadze laughs in the general direction of Director Nicholas White.
36
From time to time Production Sound Mixer John D'Aquino caused a stir with his clever placement of LAV mikes.
37		 In the immortal words of 1st AD Paul Epstein, "Nicky Likey."
38		 DP Tim Naylor sets up a wide shot in Central Park.
39		 Boom Operator Rob Purvis talks shop.
40
Production Sound Mixer John D'Aquino and 1st AD Paul Epstein work to rid the set of distracting sounds.
41		 1st AC Jennifer Johnson carefully assembles the camera.
42		 Production Sound Mixer John D'Aquino and Boom Operator Rob Purvis discuss how to best record a scene.
43		 DP Tim Naylor surveys the terrain.
44
The crew has a good laugh during the rehearsal for a Scene 14.
45		 Best Boy Electric Marcus Lehman nobly battles the extreme cold.
46		 An extremely cold Nurit Monacelli nonetheless performs a stunning rendition of Little Black Riding Hood.
47		 Director Nicholas White and DP Tim Naylor discuss shot selection.
48
DP Tim Naylor rehearses a complicated hand-held camera move.
49		 Jeremy Peter Johnson (Jack) and Rayme Cornell (Sarah) work out the complicated issue of props.
50		 Director Nicholas White convinces Jeremey Peter Johnson (Jack) to take his gloves; the director, after all, can always keep his hands in his pockets.
51		 Director Nicholas White probably thinks he's said something funny. Rayme Cornell (Sarah) probably disagrees.
52
Camera and Sound crews prepare to try to keep up with DP Tim Naylor as he begins a complex 3-minute hand-held maneuver.
53		 DP Tim Naylor and his entourage find themselves at the end of the shot exactly where they began. If you look closely at the background you can see the rarely photographed Producer Joshua Dilworth, or at least part of him.
54		 Director Nicholas White and Producer Joshua Dilworth find something amusing while Script Supervisor Gloria Picchadze and Jeremy Peter Johnson (Jack) watch everyone else work. Production Sound Mixer John D'Aquino sets up his sound equipment.
55		 DP Tim Naylor, still executing that tough hand-held shot, sits on an apple box as Jeremy Peter Johnson drives a car at him to the right of frame.
56
Nurit Monacelli rehearses with Sarah Lilley (Melissa, Off).
57		 2nd AC John Sims advocates world peace.
58		 Tim Naylor adjusts the lighting while Nurit Monacelli has an amusing conversation of her own.
59